facebook Suzanne Valadon - a Muse Who Inspired - Vigyaa
Close

Delete Collection?

Are you sure you want to delete this collection permanently?

Close

Delete Collection?

Are you sure you want to delete this collection permanently?

Everyone has a Story to Tell and an Experience to Share!

Let’s Start Writing
d18c82f1-f16d-425f-b1d4-ff6dc5393b09

462 views

Suzanne Valadon - a Muse Who Inspired

The idea of the muse — someone who inspires you — has fascinated people throughout history. Many well-known artists have claimed that the muses were vital to their art and it's not a trend that seems to be dying — artists today still claim to have muses.

Don’t you think it’s beautiful when another soul inspires you? Makes you feel more alive? See the world with new, passionate eyes? Sometimes this is because the person simply has something that makes us see the world differently, but many times it’s because of our own attraction to that person. As Plato said, at the touch of love everyone becomes a poet. Not everyone is a poet, or artist, though, but those who are, have often created some of their greatest works thanks to their muses. So I thought I’d have a look at some different muses to see what made them stand out. I fell for Suzanne Valadon — a woman who was so much more than just a muse!

#
Self-portrait by Suzanne Valadon.

Suzanne Valadon

Suzanne Valadon is interesting, amongst other things, because she didn’t just inspire one artist, but many. Born in 1865, she spent her life in Paris during the Belle Époque. Growing up in poverty with her mother, a laundress, as her sole support, she went to primary school until the age of 11 and then started working in factories, waitressing and doing other odd jobs. Eventually, thanks to some artistic friends she’d made in Montmartre, she became an acrobat in a circus. She enjoyed the circus, but after a year had a fall, which ended that career. She sustained a back injury which she healed from, but it made it impossible to perform.

While at the circus, Berthe Morisot drew a picture of Valadon as she walked a tightrope.

When she was around 15, in 1880, Valadon met Pierre Puvis de Chavannes who she began modeling for and became a permanent fixture in the Montmartre art scene. She frequented places such as Lapin-Agile and Le Chat Noir. Soon, she modeled for several different artists and became well-known for her lively and spirited nature. She notoriously slid down the banister of a popular club one night — stark naked, but wearing a mask!

Having a son when she was 18 did not slow Valadon down — her mother helped raise her son as she kept modeling. She modeled for Toulouse Lautrec, Renoir, Degas…the list goes on. With some of these artists she had affairs, which was common in the day. She also had an affair with composer Erik Satie whom she greatly inspired.

The Influence of Friends

Valadon took it upon herself to educate herself further by studying the artists she worked for and reading Toulouse Lautrec’s books on art. She is said to have started drawing at the age of nine.

While Valadon was headstrong, she may not have made it as far as she did, had she not become friends with Degas, who greatly encouraged her. He’d buy her art and also helped her with the Société Nationale des Beaux-Arts. It was also much thanks to the marriage with a wealthy stockbroker in 1896 that she was able to focus on her art full-time, no longer needing the financial assistance from modeling.

Unconventional Love Affairs and Artworks

While marrying a stockbroker may have been good for her finances, Valadon had problems in her marriage from early on. In 1906 she met one of her son’s friends, Andre Utter. Her son, Maurice Utrillo had grown up to become interested in art, and Utter was a painter. Having some form of connection with Utter, Valadon began an affair with him three years after meeting him. At the time she was 44 and he 23.

As Utrillo had mental problems, Valadon on-and-off spent time looking after his health, but she never stopped painting. While, at first, she mainly sold a few pieces here and there, her career steadily grew. Critical acclaim was, however, acquired long before commercial success, but it eventually came, if not as great as that of her son’s.

One interesting aspect of Valadon’s career is that she wasn’t officially trained, but self-taught. This led to her adapting her own style. She also, possibly thanks to her independent nature, painted subjects most women did not. It was common for women to achieve acclaim and success in the Paris art world, but they only painted domestic scenes. Valadon painted male and female nudes as well as landscapes and street scenes. She wasn’t just a muse — she changed the art world itself.

Valadon personal life was as unconventional as her professional life. According to one source she: “[…] kept a pet goat who would eat the paintings she deemed unsatisfactory, fed her “good catholic cats” caviar on Fridays (as opposed to the usual fish), and wore a corsage of carrots.” She was also eventually found out by her husband for having an affair and the marriage was ended. She continued seeing Utter and married him when WWI broke out, so that she could receive an allowance from the military. (1)

Valadon and Utter’s relationship continued till her death, though towards the end of the 1920s he’d taken to drinking and sleeping with other women and eventually moved out. However, they never divorced.

Because of her son’s mental health problems and, later, Utter’s drinking and infidelity, as well as unstable finances during parts of her life, Valadon faced difficulties, but she was always surrounded by friends and never stopped painting. In fact, she died of a stroke she had while painting at the age of 72.

The Inspiration

The wonderful thing about Valadon is that she didn’t only inspire a multitude of artists, but became a recognized artists herself — she was the first woman accepted into the Société Nationale des Beaux-Arts. Both an asteroid and a crater on Venus are named after Valadon and plays and movies have been made about her life. It could be said that even now, Valadon is a muse!

1) https://www.wqxr.org/story/weird-classical-saties-quirky-relationship-painter-suzanne-valadon/ 



Related Articles

Are you tired of doing card-making and scrapbooking? Cheer up! We have a unique crafting idea for making wooden embellishments. You can use these embellishments in your own handmade cards, scrapbook pages, or art journals. Also, you can create wooden ornaments for your home or yourself using this method. You can create these adornments by using stamping techniques on wooden discs or any other wooden shape. For this, you can buy stamps for card-making from an online store at a great deal and also check out their latest promotions.

None

Materials Required - Wooden discs or wooden surfaces of any other shape, rubber stamps, and ink pads.

Which Stamp to Pick?

You can choose any rubber stamp of your choice, mounted or unmounted, keeping the size of the surface you want to stamp on in mind. If the stamp does not fit the wooden surface then the image will not look good and attractive. And also, you can use the same stamps as the ones you use for card-making to make an attractive and abstract image.

Stamping on Wooden Discs

We have chosen wooden discs as they are ideal for stamping, you can use any other wooden shape of your choice if you like. Make sure to select the wood wisely as the porous surface of the untreated wood can cause the ink or colors to bleed through. It is also better to practice stamping on rough sheets or other unknown surfaces before stamping on wooden discs. After enough practice, take the stamps, add some dark color ink, and stamp it on the discs. If you see ink running through the grains of the wood, then paint the surface of the wood to seal the pores.

When you do this, put even pressure from all sides so that the image does not look smudged or blotchy. Also, you need to be very careful with your fingers while stamping to make sure that the disc does not slip. Afterward, leave the piece to dry for some time.

Add a Finishing Touch

You can leave the stamped images on the wooden discs uncolored so that the wood is seen through. And if you want to color the image, then first check if the color bleeds or else, it will have a distorted and unfinished effect on the image. You can use color pencils or chalk to color as they are dry colors and won’t run through the grains. Seal the piece with a clear varnish to protect the image on wood.  

Reference Image
Close